Dream HOSTEL
Premiere: 3-5/10/2014, City of Women Festival, Ljubljana
Dream Hostel is a durational 23-hour performance where the audience is invited for a sleep over and a day at DH. Upon arrival, the audience is initiated into the practice of dreaming through imagery exercises. They are taught to ask for a (night) dream and remember it. After waking, with the assistance of the performers, each dream at the time is opened and its burning necessity addressed. All dreams configure a communal dream–map, which we open, as we do with individual dreams, to respond to its necessities. It is through our communal dreaming that an alternative vision of community begins to unfold. Throughout the duration of performance, you may leave and return as desired, but we recommend that you stay present continuously, as this stimulates your dreaming. DH is for those ready to surrender to their dreaming for a day and see beyond what they already know. If you think you don’t dream, worry not, for dreams will come to you. DH is an oracular machine that predicts only possible presents.
To reserve a place, please e-mail contact@cityofwomen.org
Dream Hostel uses Saphire™. Saphire™ Work is a registered trademark of Catherine Shainberg.
Dream Hostel is the final event of the DREAMLAB Autumn 2014 edition – a series of short intensive workshops and experimental events that through diverse practices, perspectives and approaches to communal dreaming explore the potentiality of communitas.
1. Bonnie B. Buckner: Communal Dreaming (29.9 10am–6pm; 30.9 10am–2pm)
2. Elke Van Compenhout: Swarms and Radical Ethics (30.9 3–6pm)
3. Petra Veber: What Do Images Want? (1.10 10am–6pm)
For the full program, see: DREAMLAB AUTUMN PROGRAM
To register please e-mail: dreamlab.book@gmail.com
Concept, choreography: Mala Kline
Space, light, projections : Petra Veber
Visuals: Izar Lunaček
Consulting: Bonnie Buckner
Performers: Loup Abramovici, Lucija, Baresić, Tomislav Feller, Adriana Josipović, Mala Kline, Jasmina Križaj
Technical director: Luka Curk
Producer: Žiga Predan
Photo: Nada Žgank, Matija Lukić
Production: Mercedes Klein & Pekinpah / KINK KONG
Coproduction: City of Women Festival, SC – Culture of Change &TD Theater, Plesna izba Maribor, a.pass research center, SOI Slovenia
Support: Ministry of Culture RS, City of Ljubljana
The question is how through dreams or imagination create a concrete presence, a different way of being, which is never just personal, but always relational, that is, in relation to other (one of previous workshops, led by Bonnie Buckner, wore a meaningful title of “communal dreaming “). Dream analysis is not only a personal or psychological, but a survey of the foundations of collective, so to speak, ethical and social practice. … In fact, Dream Hostel CII also provides tools for solving dream Question: What should man actually change (even on purely physical level)? When Franco Berardi – Bifo analyzes the mental pathology generated by hyper-capitalism, he highlights as a key condition for the change of pitiful reality our potency to still imagine (conceive) a different reality. The question is, what would happen if there were even more participants of Dream Hostel CII, and if the timeframe of such a dream practice would be significantly longer. (N.Leskovsek_Skupno vstopanje v sanjsko realnost | Dnevnik)
Were we able to find common dream patterns because we spent 23 hours together – or because we happen to share the same cultural values and norms? In either case, the final discussion at Mala Kline’s durational performance suggested that our understanding of dream images follows predictable guidelines (learned from various theories of dreams, novels, dream books, common knowledge etc.), that we relate them to our day-to-day life, rather than alternative visions of future, and that our spontaneous individual imagination is not as unique as we would like it to be. In that sense, Dream Hostel CII turned out to be a humbling experience: instead of pretending that we can gain direct access to the unconscious or claiming that the content of our dreams must necessarily be liberatory or collective, Mala Kline presented a series of exercises for flexing our imagination-muscle – by ourselves or with others. I was quite happy with this conclusion of the event. Let the dreaming begin! (T.Hvala_Dreaming Together Apart | Mesto žensk – City of Women)
“First, I see a black ball the size of a melon surrounded by a kind of pink metallic spaghetti. The surface of the ball begins to undulate. Then I am walking in a circle, in small steps, with a group of people. When going out to the bathroom someone intertwines their fingers with mine. I feel excitement. Upon returning to the room the circle has been deformed and the ground is full of golden peanuts. ”
This is a strange summary of the dream that one of the participants of the Dream Hostel performance / workshop had, last weekend at La Casa Encendida, within the Cuerpa performance festival, curated by Aitana Cordero. About fifteen people gathered to spend together Friday night and all day Saturday, sleeping and analyzing the dreams that appeared inside the skull. A total of 22 consecutive hours of coexistence, creativity and analysis, of communal dreams.
“Imagination is the language of the body,” says Slovenian artist Mala Kline, who directs the activity in collaboration with Spain’s Cecilia Molano. After some preliminary exercises of visualization and contact with one’s breathing, with one’s own body, and also after a dinner based on carrot cream with pesto with nuts and cheese, all vegan, the mats are spread across the room and arrives bedtime The participants have brought their pillows, their quilts, some to their soft and fluffy teddy bear, which we do not know if they will dream of rich jars of honey. It is rare to swarm through the cultural center at night, when it is closed, go to the bathroom or go up to the terrace to take the fresco, as in one of those films in which someone is locked in a museum.
During the night someone snores on at least three occasions. Someone has to go to sleep on a couch in the office because they can’t stand snoring. For the rest, the night passes peacefully and asleep, and at dawn there are many who have had dreams that are about to gut. In the dreams and related visions, walking knights appear who drink from crystalline fountains, lysergic parties, symbols such as impossible triangles and Celtic trisqueles, distorted songs, brown dogs with curly hair, blue horses galloping towards the dreamer. “The images that appear in dreams are mirrors of ourselves,” says Kline. There is talk about Kabbalah, the Bible, numerology and other types of mystical, hermetic and symbolic traditions. “We are creating a multiverse,” says the artist.
Although, contrary to what Sigmund Freud thought, dream symbols are not universal, but a dictionary, a constellation, should be made for each of the people who dream. “On the ladder of dreams there are nightmares to repetative dreams to clear dreams to great dreams to dreams of light and finally of sheer presence. Some dreams are just an image, which is an inner response , ”says our guide through the world of soft watches.
The method used, the hermeneutics of sleep, is called Dream Opening, a part of the Saphire practice, developed by Catherine Shainberg. It consists of four steps: looking at the story, detecting the shapes and the patterns, figuring the question of the dream and finally, and unraveling the message, its secret. During the experience “three dreams” are opened by the group of “secondary dreamers”, who try to relive the dream in the first person to reveal their mysteries. Some of this is told in the book Capfico: Written from the belly of the whale by Kline with Molano annotations. The golden peanuts of the dream recounted at the beginning turn out to symbolize something like a sexual explosion. “Something has moved inside me,” says one of the dreamers, “as if they had touched an inner key.”
It is Molano who, while the activity is taking place, is making dream drawings in which what the participants are narrating is represented. In the end, a kind of collective dream is created, using Molano’s drawings, belonging to three different dreams, to create a story between everyone present and in which the teddy bear also participates. Among the final reflections of the dreams opened are teachings such as the melancholy of being one in the Universe, the need not to judge and accept oneself, or the need to live life accepting the games and possibilities proposed (that is, smoking the joint that one of the dreamers rejected in her dream). Carpe Diem. (Terapia colectiva en La Casa Encendida | Madrid | EL PAÍS)