Upcoming:
Performances
8-11, 15-16, 18, 21/5/2021, ANGELS – premiere; reprise, commissioned by LGL theatre, Ljubljana, SI
27-28/8/2021, ANGELS, Arboretum Volcji Potok, SI
7/9/2021, NEFORMA, Spanski borci, Ljubljana, SI
16/9/2021, VENUS, Between captivity and flight – film prepremiere, Spaces and Flows festival, Krusce, SI
18/9/2021, SONG, Gibanica Platform of slovene contemporary dance, Spanski borci, Ljubljana, SI
21/9/2021, SONG, PELZVERKEHR Festival, Klagenfurt, AT
3/10/2021, VENUS: Between captivity and flight – film premiere, City of Women Festivali, Ljubljana, SI
May/2022, VENUS: Between captivity and flight – performace premiere, CoFestival, Ljubljana, SI
Workshops and Courses in Dreaming
25/1 – 8/3/2021, 26 – 9/3/2021, LIVING IN THE GIFT – online course
25/1 – 8/3/2021, DREAM OPENING – online course
17/5 – 28/6/2021, 11/5 – 22/6/2021, LOVE MADE VISIBLE – online course
18/5 – 29/6/2021, DREAM OPENING – online course
24/6/2021, EMBODYING VOICES OF NATURE, Terra Anima center for Deep Ecology, Radomlje, SI
6/8/2021, EARTH’S PROPHECY, Terra Anima center for Deep Ecology, Radomlje, SI
25-27/8/2021, PRESENCING, Performance Art Research Ljubljana, SI
9, 11/9/2021, DREAMING AS A SOURCE OF KNOWLEDGE, Summer School 21, Frairaum & NRW Düsseldorf, DE
13/9-25/10/2021, ANCESTRAL ROOTS – online course
14/9/2021, HYPNOS – THE GOD OF SLEEP, Het Vem Theatre, Amsterdam, NL
16/9/2021, STREAMING THROUGH INNER AND OUTER SPACES, master class, Spaces and Flows festival, Krusce, SI
28/9-9/11/2021, DREAM OPENING – online course
8/10/2021, ON LUMINOUS DARKNESS, workshop, Productiehuis Theater Rotterdam, NL
15-16/10/2021, PRESENCING & DREAMWORK, classes & workshop, Tanzquartier Wien, AT
8/11 -20/12/2021, DREAM WITH THE SOUL OF THE WORLD – online course
15/11 – 20/12/2021, DREAM OPENING – online course
Articles and Books
Gledališča potencialnosti, Book, MASKA, SMEEL, Ljubljana, SI
Ksenija Hribar award for theory: ‘The fact that Mala Klina’s artistic opus is unreasonably extensive and qualitatively one of the richest among artists of her generation provides the philosopher with an exceptional conceptual apparatus with experience and analytical insight of excessive level and, last but not least, complex clarity of her thought.’
Mala Kline’s performances are based on theoretical premisses and in-depth research of the subject of performance. She is philosophically versed and intelligent artist who has an exceptional ability on stage of opening up ingenious images and spaces. Processing of archetypal themes and effects she has developed a unique staging approach, which is in its complexity capable of a wide range of astounding transformations on the thin edge between chaos and emotionally precise structure. (Ksenja Hribar Award Jury)